Flowers in season in February

Amaranthus (preserved) (Amaranthus) — a dried flower. Holds shape for months — for dried arrangements and décor.

The amaryllis is the December power flower — a single stem carries 2–4 trumpet blooms that can reach 20 cm across. Red amaryllis is a Christmas staple; blush and white cultivars carry weight in winter weddings. Beware the fragile hollow stem — a bamboo skewer inserted from the base gives structural support for tall arrangements.

The anemone's dark navy or black centre against pure white, blood-red or deep purple petals is one of the strongest contrast points in commercial floristry. Italian Mistral cultivars are the premium tier — large heads, strong stems, saturated colour. Anemones photograph beautifully but are unforgiving of heat; they belong in cool spaces.

Asparagus (Asparagus) — decorative greenery. Adds backdrop, volume and line.

Bear grass (Xerophyllum tenax) — decorative greenery. Adds backdrop, volume and line.

Beech foliage (Fagus sylvatica) — decorative greenery. Adds backdrop, volume and line.

Brunia (Brunia) — a cut flower. Works well in mixed and mono bouquets.

Camellia foliage (Camellia) — decorative greenery. Adds backdrop, volume and line.

Cordyline (Cordyline) — decorative greenery. Adds backdrop, volume and line.

A cymbidium orchid with waxy blooms (Cymbidium). A premium exotic accent.

A spring narcissus (Narcissus). An early, fragrant seasonal accent.

Eucalyptus — aromatic silvery-green foliage (Eucalyptus). Backdrop and texture for any bouquet.

Feather grass (Stipa) — a dried flower. Holds shape for months — for dried arrangements and décor.

Fern (Polypodiophyta) — decorative greenery. Adds backdrop, volume and line.

Floral foam — floristry packaging and supplies. For wrapping and assembling bouquets.

Floral paper — floristry packaging and supplies. For wrapping and assembling bouquets.

Galax is a low woodland groundcover whose round, leathery, heart-shaped leaves are a florist staple for backing and finishing. The flat, glossy foliage turns rich bronze and burgundy in cold weather, giving a warm alternative to plain green. Because the leaves are so durable and long-lasting, they are ideal as bouquet collars, corsage backing and neat wraps around hand-tied stems. Inexpensive and endlessly useful, galax is a quiet workhorse in wedding and everyday design.

Muscari — grape hyacinth — is the small, saturated-blue spring flower that fills the true-blue gap in early-season bridal work. Tiny bell-shaped florets stack tightly on a short stem. The blue is real, not dyed. Use in shallow bouquets, hair work, and boutonnieres where the short stem length works.

Hazel (Corylus) — decorative greenery. Adds backdrop, volume and line.

Heliconia, often called lobster claw or false bird-of-paradise, is a boldly architectural tropical whose waxy, boat-shaped bracts zig-zag up a tall stem in vivid red, orange and yellow. Native to the tropical Americas, it brings instant drama, scale and a sculptural line to large-scale and tropical designs. Its thick stems and long vase life make it a workhorse for installations, tall arrangements and event work. Few flowers deliver the same tropical impact from a single stem.

Hellebore (Helleborus) — a cut flower. Works well in mixed and mono bouquets.

The hyacinth is the fragrance flower of early spring — a densely packed spire of florets that perfumes a room within minutes. Grown almost exclusively in the Netherlands for the global cut trade. The stem-sap causes contact dermatitis in some people; wear gloves when conditioning.

Hypericum (Hypericum) — a cut flower. Works well in mixed and mono bouquets.

Italian ruscus (Danae racemosa) — decorative greenery. Adds backdrop, volume and line.

Jatropha (Jatropha podagrica) — a cut flower. Works well in mixed and mono bouquets.

Kangaroo paw (Anigozanthos) — a cut flower. Works well in mixed and mono bouquets.

A lily with large expressive blooms (Lilium). A fragrant focal flower; one stem sets the volume.

Magnolia branch (Magnolia) — a cut flower. Works well in mixed and mono bouquets.

Magnolia leaves (Magnolia) — decorative greenery. Adds backdrop, volume and line.

Mimosa (Acacia) (Acacia dealbata) — a cut flower. Works well in mixed and mono bouquets.

Monstera (Monstera deliciosa) — decorative greenery. Adds backdrop, volume and line.

Olive branch (Olea europaea) — decorative greenery. Adds backdrop, volume and line.

Palm leaf (Arecaceae) — decorative greenery. Adds backdrop, volume and line.

Pampas grass with a fluffy plume (Cortaderia selloana). A large dried grass for interior décor.

A phalaenopsis orchid (Phalaenopsis). A refined, long-lasting accent.

Preserved rose (Rosa (preserved)) — a preserved material. Keeps a fresh look for years without water.

Ranunculus offer the layered, papery petals of a peony at half the size and in a wider colour range. Italian Cloni Success and Elegance strains lead the premium market — huge heads (up to 10 cm) on strong stems. Ranunculus perform best in the first three days of vase life; plan accordingly for events.

Ribbon — floristry packaging and supplies. For wrapping and assembling bouquets.

A classic cut rose (Rosa). Perfect for mono bouquets and elaborate arrangements.

Salal (Gaultheria shallon) is a broadleaf evergreen from the Pacific Northwest, prized as one of the most reliable and inexpensive cut foliages in the trade. Its leathery, oval leaves grow densely along woody stems, giving an even backdrop of deep green that is slow to wilt. Florists reach for it constantly to green up bouquets, line arrangements and fill gaps behind focal blooms. It ships and stores exceptionally well, making it a workhorse for weddings and everyday work alike.

Skimmia — the Japanese Rubella variety in particular — is a professional winter florist secret: clustered red or pink buds against glossy green leaves, holding for weeks in vase. Modern winter wedding designers combine it with white ranunculus, silver eucalyptus, and hellebore for a naturalistic Christmas-adjacent palette that avoids the traditional red-and-green cliche.

Strawflower (Helichrysum / Xerochrysum) — a dried flower. Holds shape for months — for dried arrangements and décor.

The most-produced cut flower in the world (Netherlands ships 2+ billion stems annually). Tulips are actively alive in the vase — they grow, bend toward light, and open with the day. This movement is a feature, not a defect: modern floristry embraces the natural curve. Double-flowered varieties (peony tulips) can substitute peonies out of season.

Aranda is a hardy hybrid orchid crossing Arachnis and Vanda, carrying rows of flat, often spotted or veined blooms along a tall, wiry spray — the reason it is nicknamed the scorpion orchid. Grown commercially in Singapore and Malaysia, it offers moody purples, blues and bronzed browns rarely found in cut flowers. Florists value it as a tropical line element that draws the eye upward in tall arrangements and modern event pieces. Robust and long-lasting for an orchid, it holds up to bolder, architectural designs.

Asparagus fern (Asparagus setaceus) is not a true fern at all but a member of the asparagus family, valued for its feathery, lace-like sprays of fine green needles. It brings soft, cloud-like texture and a delicate, airy elegance to bouquets and boutonnieres. The flat, horizontal fronds add width and a romantic, old-fashioned softness. It is affordable and widely available, though more perishable than tougher greens, so it is best used fresh.

Banana leaf is a broad, glossy paddle of foliage prized for its clean tropical geometry and versatility. Florists use it whole for bold architectural greenery, roll or fold it to line the inside of glass vases, or cut it into strips and sculptural forms for modern and tropical designs. Inexpensive and widely available year-round, it brings instant lushness and scale to installations and event work. It is best used fresh, as the cut blade gradually dries and curls at the edges.

Bay laurel (Laurus nobilis) is the aromatic evergreen of classical wreaths and Mediterranean cooking, valued by florists for its firm, glossy dark-green leaves and warm, spicy scent. The sturdy, upright stems make crisp foliage for garlands, wreaths and structured arrangements. Leaves are long-lasting and dry beautifully, holding shape and fragrance for months. Its rich history of honour and victory adds meaning to celebratory work.

Calathea leaf is a striking patterned foliage whose oval blades carry feathered stripes, spots or veins in deep greens, often with a dramatic burgundy underside. Native to the tropical Americas, it is a favourite for adding graphic texture and colour to modern and tropical arrangements. Florists use it both face-up for its peacock-like markings and reversed to show the wine-red back. More resilient as a cut than many exotic leaves, it holds its beauty for one to two weeks when kept warm and hydrated.

Camellia is a broadleaf evergreen shrub whose rose-like blooms open in the cool months, earning it the nickname 'rose of winter'. Perfectly geometric rows of petals in white, blush, pink or red sit against thick, lacquered green leaves that are themselves prized as cut foliage. Florists turn to camellia for winter weddings and luxury arrangements when garden roses and peonies are out of season. The petals shatter if bumped, so it rewards gentle handling with unmatched cool-season elegance.

Cattleya is the classic 'corsage orchid' — large, ruffled and richly fragrant, with a flamboyant frilled lip that made it the emblem of old-fashioned glamour. Blooms come in lavender, white, pink, coral and yellow, often with a contrasting throat, and their heady perfume sets them apart from most orchids. More delicate and shorter-lived than dendrobium or vanda, cattleya is used where it can be shown off: corsages, boutonnieres and luxury focal work. It remains a traditional Mother's Day flower and a byword for refined, showy beauty.

Crocus is the herald of spring, opening its goblet-shaped cups in purple, gold, white and lavender while frost still lingers. Its very short stems and brief vase life make it a specialist cut flower, most often shown in bulb bowls, mossy displays and tiny low arrangements. Florists cherish it for its jewel-clear colours and the sense of earliest spring it evokes. Where a design needs the first true flush of the season, nothing says it quite like crocus.

Curly willow is a bare, twisting branch whose corkscrew stems bring instant movement and drama to a design. Florists use it as a year-round structural line — arching over installations, spilling from tall vases, or wired into armatures where its sinuous curves do the work. It is nearly indestructible, lasting weeks fresh and drying beautifully in place, and can be gently bent to shape while still supple. The leafless, sculptural form suits modern, minimalist and architectural styles.

The cymbidium is the winter orchid — a single stem carries 8–15 florets that last a full month once cut. Green cymbidiums with a burgundy lip are the editorial designer's favourite. Each floret can be broken off and wired for corsage or cake decoration, extending the value of a single stem across a whole event.

The daffodil is the first widely-recognised flower of spring — a fresh, uncomplicated shape carrying powerful cultural associations across Europe (Wales' national flower, Easter and new beginnings). Critical warning: daffodils secrete a sap that poisons other flowers in shared water; always condition alone first, then combine without recutting.

Dendrobium is one of the largest orchid genera, and its long, arching sprays of waxy florets are a florist staple grown year-round in Southeast Asia. Prized for exceptional vase life and a clean, architectural line, each stem carries anywhere from a handful to a dozen blooms in white, purple, pink, green and lime. Florists reach for it in bridal work, corsages and tropical designs, while single florets are ideal for cake work and boutonnieres. Sturdy yet elegant, it delivers exotic polish at a friendlier price than most orchids.

Double tulips — often marketed as 'peony tulips' — carry a peony-shaped bloom on a tulip stem. During the peony gap (July–April in the northern hemisphere), double tulips are the closest substitute at a fraction of the cost. La Belle Époque is the wedding favourite: dusty peach fading to cream.

The hellebore is the winter florist's secret — nodding, downward-facing blooms in a colour palette (near-black, deep burgundy, dusty green, freckled cream) that no other cool-season flower matches. Notoriously short-lived in the vase unless properly conditioned with a boiling-water dip. Buy mature blooms with visible seed heads — they outlast tight buds.

Leatherleaf fern (Rumohra adiantiformis) is the florist's default fern — a tough, triangular frond with a firm, almost plasticky texture that holds up far better than most ferns out of water. Deep glossy green and finely divided, it adds airy depth and a woodland feel without wilting. It is grown commercially on a huge scale and is one of the cheapest, most available cut greens worldwide. Florists use it to back corsages, line hand-tied bouquets and soften funeral and everyday designs.

Magnolia leaf (Magnolia grandiflora) is a bold, glossy evergreen foliage with large leathery leaves that are deep green above and a warm suede-brown beneath. Florists prize the two-tone effect, turning leaves to show the felted copper reverse in wreaths, garlands and grand arrangements. The stiff, architectural leaves are extremely long-lasting and dry without dropping, making them a Christmas and installation staple. Cut branches bring instant structure and a rich, Southern elegance.

Ming fern is another ornamental asparagus rather than a true fern, recognised by its stiff, zig-zagging stems topped with fluffy pompom tufts of fine green needles. The clustered, cloud-like texture adds depth and structure to arrangements, and its long, strong stems suit large-scale and architectural work. It is notably durable, holding well in and out of water, which makes it a dependable choice for events and installations. Florists prize its distinctive sculptural silhouette.

Mokara is a vibrant, single-flowered spray orchid bred from Arachnis, Ascocentrum and Vanda, giving it saturated colour and a flat, open face on a slender upright stem. Cultivated year-round in Southeast Asia, it is a florist staple for adding jewel-toned tropical punch to bouquets, buttonholes and event work. Each stem carries several evenly spaced blooms that last well out of water, making it a favourite for corsages and boutonnieres. Its clean geometry and long vase life earn it a place in both modern and tropical designs.

The monstera leaf, cut from Monstera deliciosa, is one of the most recognisable foliages in modern floristry — a large, glossy, deep-green blade slashed with natural holes and splits. Native to Central American rainforests, it brings bold scale, clean line and a lush tropical mood to arrangements and installations. Exceptionally long-lasting out of water and easy to handle, a single leaf can define a modern bouquet, backdrop or table runner. It is the signature green of tropical and contemporary design.

Muehlenbeckia, often sold as wire vine or angel vine, is a New Zealand climber with fine, dark, wiry stems set with tiny round leaves. Its delicate, tangling texture makes it a favourite for wiring into crowns, garlands and intricate installations. It is durable, forgiving to handle and dries well, so it earns its place year-round. Florists reach for it whenever they want a light, airy green line with movement.

Oncidium, the 'dancing lady' orchid, produces airy, branching sprays scattered with dozens of small ruffled florets — most often in cheerful golden yellow marked with mahogany. Its cloud-like form adds movement and a fine, filler-like texture that softens tropical and modern arrangements alike. Long-lasting and playful, it reads as luxurious without the weight of a large focal orchid. Florists use it to add rhythm, spill and a sense of joy to bouquets and installations.

Philodendron leaf is a large, deeply lobed tropical foliage that brings instant scale and drama to bold arrangements. Its glossy, split blades read as sculptural greenery, ideal for tropical bouquets, corporate pieces and large-format installations. A single leaf can anchor a design or line a tall vase, and the foliage lasts for weeks with basic care. Florists reach for it whenever they want architectural, jungle-lush structure with minimal fuss.

Pussy willow is a much-loved late-winter branch, its bare woody stems studded with soft, silvery-grey catkins that feel like velvet. Florists use it as a sculptural line for spring arrangements, adding gentle texture, movement and a quiet, natural elegance. It is wonderfully forgiving — needing little or no water and lasting for weeks, and it dries in place to hold almost indefinitely. Kept dry, the catkins stay tight and silky; left in water, they open into fluffy yellow blooms.

Rosemary (Salvia rosmarinus) is the fragrant Mediterranean herb whose needle-like grey-green leaves release a fresh, resinous scent when brushed. Florists tuck short sprigs into bridal bouquets, boutonnieres and wedding favours as a scented, meaningful accent. Its slender, upright habit and aromatic foliage suit rustic, garden and herb-inspired designs. Long associated with remembrance and fidelity, it carries sentiment as well as texture.

Sprengeri fern is not a true fern but a trailing form of ornamental asparagus, valued for its soft, feathery sprays of bright emerald needles. Its arching, cascading habit makes it a favourite for loose garden-style bouquets, table runners and anywhere a light, airy trail of green is needed. The fine foliage softens edges and fills gaps without adding visual weight. Cheap, plentiful and easy to work with, it is a reliable everyday greenery, though fine thorns mean careful handling.

Ti leaf comes from the tropical cordyline, a plant long grown across the Pacific for luck and protection. Its long, glossy blades range from deep green to vivid burgundy, red and pink, giving florists sleek, colourful lines for modern and tropical design. The flexible leaves are often rolled, folded or looped inside vases as a decorative liner, and they last for weeks with minimal care. Bold, durable and dramatic, ti leaf is a mainstay of contemporary and event floristry.

Torch ginger sends up a tall, sturdy stalk topped by a glossy, waxy inflorescence of tightly overlapped bracts, most often in vivid red or pink — hence its other name, porcelain rose. A member of the ginger family from Southeast Asia, it is a dramatic tropical focal with excellent vase life and real presence in large designs. Florists use it for tropical weddings, installations and statement arrangements where scale and saturated colour are wanted. Its sculptural, torch-like head reads as exotic and luxurious in equal measure.

Vanda orchids are among the most coveted of all cut orchids, famous for the electric blue and violet lattice of Vanda coerulea and its hybrids — colours almost unheard of elsewhere in the flower world. Each thick stem carries a row of large, flat, jewel-toned blooms with remarkable substance and vase life. A true statement flower, vanda anchors luxury and editorial designs and dazzles in modern, minimal work. Its rarity and saturated colour place it firmly at the premium end of the orchid spectrum.